A difficulty with writing is that my interlocutor must be imaginary. My apologies if you are reading this, and feel quite real.
There is a problem with talking to ourselves. Well, there are a pile of problems, really, not least being the 'private language' argument...
One somewhat phenomenological aspect of this occurred to me this morning. When I ‘talk to myself’ it is generally in fragmentary phrases. The more anxious I feel, the more these resolve into definite sentences and short paragraphs, as though I am preparing a more thorough defence.
And yet, even while I do this, I am losing touch with the inner part of myself and paying attention to how I will seem to others. I am leaving my principal source of authenticity and insight behind and paying attention to coping strategies, to verbal ping pong, to ritual combat …
Our model of cognitive capacity as comprising a ‘rational’ functional element – an ‘executive process’ – is quite dangerous here. I think Jerry Fodor has most clearly fallen for the ‘internal monologue’ picture of rationality. It is a picture which is catastrophically self-referential: ‘I know that what I think makes sense because it looks like what I would say if I was making a good case. And I know this because that is how I report my thoughts to others’ … which is no more than to say that I know how to talk. How to be intelligible. Accounting for this in terms of some kind of ‘internal intelligibility engine’ is almost ridiculously circular.
The public-facing imagination is where we are most likely to find what Carl Rogers and others have called ‘introjected values’ – the cut-and-paste patchwork of psychological grafts and donated thought processes that pinch and itch when we try to reconcile them with our lived experience. Values which not only do not come from ourselves, but which we are almost bodily aware of as inconsistent with any possibility of authentic engagement.
The more explicit and articulate my prepared inner monologue is, the more likely it is to be infected – to be a rationalisation built out of introjections.
In the public sphere, how do we distinguish between writing as case-making and writing as authentic exploration? Between self-justification and self-discovery?
Why am I writing this here?